#Arri orbiter led software#

This setup allows for quick and efficient switching between flood, spotlight, softbox, dome, and other lighting modifications. This versatility means that a cinematographer, armed with the right accessories, could easily wait until arriving on unique location before deciding what kind of light they need the Orbiter to be in any given situation. The fixture’s new color modes help cinematographers adopt whichever onset lighting methodology they’re already comfortable with, with modes that allow users to dial in their looks via CCT, HSI, gel selection, source matching, color matching, or even special effects. While the Orbiter itself is an open-faced design, it incorporates a new interchangeable mounting system with a 5-pin digital interface connection for communication between the Orbiter and a specific lens or modifiers. Built around ARRI's new LiOS operating system, the Orbiter can now quickly adapt to a number of different filmmaking and studio standard approaches to lighting.

#Arri orbiter led software#

This unique combination allows the light to achieve powerful, highly accurate colors with tunable temperatures ranging from 2,000K-20,000K. The Orbiter features vastly improved electronics and software when compared to the previous L7-C and SkyPanel. The core technology that powers the Orbiter is ARRI’s new six-color light engine built around red, green, blue, amber, cyan, and lime LEDs for highly accurate color renditions. “Right out of the box, it’s obvious that the ARRI Orbiter is built like a tank.” Features illuminated

For the purposes of this review, ARRI sent us the newly introduced 'Orbiter Combination Set,' which includes the light, mounting yoke, control panel, and 15-, 30-, and 60-degree lenses. In this hands-on review of the Orbiter, we’ll put the light through its paces to determine just how revolutionary it could prove to be, especially in film and video ministry settings.